Therese Dwyer Moriarty
Working in a variety of printmaking techniques I love trying to integrate new methodologies. I also try to be as sustainable as
possible in my practice, working on recycled plastic and making my own papers from junk mail and plants. My approach to images ranges from observation drawings to abstracted studies. The variety of printmaking processes keep me curious and I love learning and experimenting, then incorporating the know-how into my work. The process of running a plate through
the press still excites me every time - how will my ideas translate to paper? How can I further manipulate these techniques to fit my needs?
Working in a variety of printmaking techniques I love trying to integrate new methodologies. I also try to be as sustainable as
possible in my practice, working on recycled plastic and making my own papers from junk mail and plants. My approach to images ranges from observation drawings to abstracted studies. The variety of printmaking processes keep me curious and I love learning and experimenting, then incorporating the know-how into my work. The process of running a plate through
the press still excites me every time - how will my ideas translate to paper? How can I further manipulate these techniques to fit my needs?
